Bilkent Journal Publications - Department of Graphic Design

2012

• D.K. Mutlu, Z. Kocer, "A Different Story of Secularism: The Censorship of Religion in Turkish Films of the Sixties and Early Seventies," European J of Cultural Studies, vol. 15, pp. 70-88 (2012)

2011

• K. Smets, D.K. Mutlu, R.V. Winkel, "Beware of the Wolves! The Turkish versus the European Reception of the Valley of the Wolves: Iraq(2006)," Film International, vol. 9, pp. 19-34 (2011)

2010

• Z. Aracagok, P.B. Yalim, "Spectacle, Speculative, Spectile: Situations in Sarah Kane, Sevim Burak, etc," Third Text, vol. 24, pp. 437-444 (2010)
• D.K. Mutlu, "Between Tradition and Modernity: Yesilcam Melodrama, its Stars and their Audiences," Middle Eastern Studies, vol. 46, pp. 417-431 (2010)

2008

• Z. Aracagok, "On some Umbrellas," Third Text, vol. 22, pp. 449-454 (2008)

2007

• D.K. Mutlu, "The Russian Monument at Ayastefanos (San Stefano): Between Defeat and Revenge, Remembering and Forgetting," Middle Eastern Studies, vol. 43, pp. 75-86 (2007)

2006

• Z. Aracagok, "Noise on Noise," Parallax, vol. 12, pp. 101-114 (2006)
• Z. Aracagok, "Decalcomania, Mapping and Mimesis," Symploke, vol. 13, pp. 283-302 (2006)

2005

• D.K. Mutlu, "The Midnight Express (1978) phenomenon and the image of Turkey," Historical J of Film Radio and Television, vol. 25, pp. 475-496 (2005)

2004

• D.K. Mutlu, "Un Rapid Regard Sur L'Histoire du Cinema Turc," Les Cahiers Luxembourgeois, vol. , pp. 113-121 (2004)

2003

• Z. Aracagok, "On Rhythm, Resonance, and Distortion," Pli-The Warwick Journal of Philosophy, vol. 14, pp. 129-156 (2003)
• Z. Aracagok, "Whatever Image," Postmodern Culture (electronic jrl), vol. 13, pp. 20 (2003)

2000

• U. Gudukbay, F. Erol, N. Erdogan, "Beyond tradition and modernity: digital shadow theater," Leonardo, vol. 33, pp. 264-265 (2000)

1998

• N. Erdogan, "Narratives of Resistance: National Identity and Ambivalence in the Turkish Melodrama between 1965 and 1975," Screen, vol. 39, pp. 259-271 (1998)